Monday, October 13, 2014

Winter 2015 MFA Class Schedule

Detailed class information (instructor course descriptions, textbook info, etc.) will be emailed to MFA students by the end of October. Students may send Beth class choices now to reserve spots, and then may send any changes after looking over the emailed information. If a class fills, Beth will create a wait list. Classes that fill early may be offered again in the spring. Students will be registered in the order of emails received; enrollment for winter quarter begins November 17. Winter quarter begins January 10 for on-campus clusters and January 12 for online classes. Winter quarter ends March 28. Contact Beth with any questions. Prospective student information is available here.


ONLINE CLASSES:

Workshop/Craft classes:
IMF545 Creative Nonfiction Workshop--Catherine Rankovic
IMF524 Focused Scriptwriting Workshop--Zachary Vickers
IMF531 Adv Focused Poetry Workshop--Scott Berzon
IMF516 Fiction Genres: Flash Fiction--Mary Anderson
IMF574 Literary Novel Workshop: Polishing the In-Progress Novel--Anthony Connolly
IMF544 Genre Fiction Workshop: Science Fiction & Fantasy--Kelli Allen
     FULL--taking names for wait list/possible second section--will offer again in spring


Literature/Craft classes:
IMF573 The Literary Novel: Contemporary Fiction--Tony D'Souza
IMF517 Poetry Genres: Women Poets--Eve Jones
IMF556 The Prose Collection: Essay: David Sedaris--Beth Mead


ON-CAMPUS CLUSTERS:

IMF519/538/559 Adv Fiction Cluster--Tuesdays--David Hollingsworth
IMF565/566/567 Narrative Journalism Cluster--Thursdays--Kelli Allen

Welcome to our new LU MFA Faculty Member: Zachary Vickers

Zachary Tyler Vickers is a graduate of the Iowa Writers’ Workshop where he was the Provost’s Fellow. He is the recipient of the Richard Yates Prize and the Clark Fisher Ansley Prize for excellence in fiction. His work has appeared in The American Reader, KGB Bar Lit Journal, Hobart, and elsewhere. His short story, "Karst," has been optioned for feature film, and he is cowriting the script. In the LU MFA Program, Zachary will teach classes in scriptwriting craft/workshop, short story literature and workshop, and literature study in the graphic novel.


Friday, October 10, 2014

Calls for Submission & Upcoming Literary Events

I regularly post calls for submission and literary event info on our program facebook page, but for those who do not use facebook, I try to post occasional updates here as well. Below are some upcoming literary events, as well as journals that have recently announced calls for submission:

LITERARY EVENTS:

Tonight: Architrave Book Release & Reading
This weekend: Lit in the Lou
St. Louis Jewish Book Festival
Left Bank Books Author Series


CALLS FOR SUBMISSION:
QXOTC
Shark Reef
Flyaway
CURA
Prairie Schooner
Thin Air Magazine



Thursday, October 2, 2014

What About Publishing? Q & A – Catherine Rankovic

Part 1
Q. Should I enter my work in contests? Should I pay reading fees?
A. Money should flow toward, not away from, the writer. If you’re new to publishing, don’t enter contests that charge entry fees or submit to publications that ask for reading fees. Most venues holding contests still read regular submissions for free. If the venue uses Submittable software in place of postal mail, do pay the two or three dollars that is asked of you when you upload your work. That’s what you would have spent on postage anyway. Odds of winning any literary contest range between 200:1 to 1200:1. Writing contest entry fees are commonly $10 to $30. Would you put that kind of money on a horse with those odds? I do it once or twice a year for the sport of it.

Part 2
Q. Where should I send my work?
A. I know your first impulse is to send to high-paying national venues and work your way down, but be honest with yourself: No one in any profession starts at the top. For best results, begin by finding and reading journals based in your home area and submit to those that publish your type of work. Rejected? Never give up, and go to local open readings and read and listen and meet people. Build a good local reputation and network, and you will be invited to give readings or teach workshops, and as you circulate you will also meet local editors, publishers and bookstore owners. A network is as important to a writer as it is to any other professional. After conquering your home area, submit to the journals in your state, then in your region.

Part 3
Q: Can I submit my work to more than one journal or venue at once?
A: Most now allow that, but some don’t. Find the journal’s website and click the button or tab “Submissions” or “Writers’ Guidelines.” That’s where they give their requirements. Follow the instructions precisely.
Q. Which venues are the most prestigious, and which are less so, and how can I tell?
A: Look at the publication credits in the latest book by your favorite contemporary writer, or in his or her online biography. Those are probably high-prestige venues—or at least they were. In the digital age, journals are born and die every day, and likely half the names on that list have folded or lost their standing; the three or four big established names have probably barely survived digitization. Truly, the most prestigious journals are the ones you read and admire. I subscribe to a “poem-a-day” emailed from a journal I’d love to publish in. Each day I learn more about what it might take to get published in that journal.

Wednesday, October 1, 2014

Upcoming Literary Events

Lit in the Lou
Oct 10-12, 2014
Click HERE for schedule of events
Click HERE for event maps


Left Bank Books Author Series

Wednesday, September 17, 2014

New TV Commercial for Lindenwood's Accelerated Evening Programs

New TV spot for Lindenwood's accelerated evening degree programs,
which includes the on-campus option for the MFA in Writing degree:

Tuesday, September 16, 2014

MFA Student Thai Kaewkaen to Speak at December Commencement

MFA student Anothai Kaewkaen has been chosen as the graduate student speaker for Lindenwood University's December Commencement ceremony. Thai is currently finalizing his graduate thesis, under the mentorship of Professor Emeritus Michael Castro, to complete his MFA in Writing degree at the end of this month. Thai was a Fulbright scholar, has won a first place award at the SRSE for the past two years, has read his poetry at several local literary readings, and has had his work published during his time in the program. He is teaching ESL classes for Lindenwood as he finishes up his thesis. More information about Thai is available here. The LU MFA in Writing Program is very proud that one of our students has once again been chosen for this honor. Congratulations, Thai!